Inside Gayatri and Vikas Oberoi’s Sea-Facing Juhu Mansion: A Nine-Storey Home Designed Around Art, Light and Modernism

Gayatri Oberoi, best known for playing Geeta opposite Shah Rukh Khan in Swades, has returned to the spotlight in an unexpected way: through her work in design and her family’s extraordinary Juhu residence.

After appearing in Swades in 2004, Gayatri married businessman Vikas Oberoi, chairman and managing director of Oberoi Realty, the following year. She subsequently stepped away from acting and public life, choosing to focus on her family.

In recent years, however, Gayatri has taken on a new professional identity as a design curator associated with Oberoi Realty, bringing her interest in interiors and aesthetics into the real-estate business.

That design sensibility is particularly visible in the couple’s Mumbai home—a large, sea-facing residence in Juhu conceived as a private family space as well as a carefully curated architectural and art environment.

A Dream Home Years in the Making

The story of the Oberois’ Juhu residence reportedly began in 2015, when the couple started developing the idea of creating a home that could accommodate their family while also reflecting their individual interests in architecture, design and art.

The result is a reported nine-storey, approximately 75,000-square-foot residence overlooking the sea in Juhu.

Rather than approaching the enormous footprint as an invitation to fill every room with luxury objects, the design reportedly emphasizes proportion, light and modernist restraint.

Italian architect and designer Piero Lissoni was brought in to shape the interiors.

Lissoni’s work is widely associated with contemporary Italian design, particularly clean architectural forms, restrained materials and an emphasis on functional elegance.

That philosophy appears to have influenced the Oberoi residence significantly.

A Home That Feels More Like a Boutique Hotel

Despite its enormous scale, the residence was reportedly conceived to feel more intimate than a conventional mega-mansion.

Vikas Oberoi has compared the property to a boutique hotel, a description that helps explain its unusually structured layout.

The home features two separate entrances and a circular driveway, creating a clear distinction between private family movement and guest access.

There are also two staircases, with separate routes intended for guests and the family.

Rather than simply duplicating one staircase, each has been given a distinct architectural character.

The approach reflects a larger design principle: even functional elements are treated as part of the home’s visual identity.

Two Basement Levels Focus on Wellness and Entertainment

The residence extends beyond its visible living areas.

The two basement levels are reportedly dedicated largely to parking and wellness facilities, giving the family access to amenities without having to leave home.

Among the reported features are a private gym and spa, creating a dedicated wellness zone within the property.

There is also a 12-seater home theatre, allowing the family to create a cinema-style experience within the residence.

These spaces underline the home’s focus on both private living and entertainment.

Rather than treating the mansion simply as a collection of bedrooms and formal living rooms, the design incorporates areas dedicated to leisure, fitness and social gatherings.

The Lower Floors Are Built for Entertaining

From the ground floor through the third level, the residence is reportedly organized around hosting and entertainment.

The arrangement allows larger gatherings to take place without necessarily disrupting the more private portions of the home.

That separation between public and private zones is particularly important in a residence of this size.

It also contributes to the boutique-hotel concept: guests can experience expansive entertaining areas while the family retains more secluded spaces elsewhere in the property.

A Rooftop Infinity Pool Looks Out Over Juhu

One of the home’s most striking features is reportedly located at the top.

The residence includes a sea-facing rooftop infinity pool, positioned to take advantage of the property’s location overlooking the Juhu coastline.

The pool creates a direct visual relationship between the architecture and the Arabian Sea.

Instead of treating the view as something that simply appears through windows, the rooftop design turns the landscape into part of the living experience.

In a city where sea-facing real estate is among the most coveted, the location becomes one of the home’s defining architectural assets.

A Molteni Kitchen Adds Italian Design to the Interior

The design-led approach continues into the kitchen.

The residence reportedly features a kitchen by Molteni, the Italian luxury design brand known for its high-end kitchen systems and contemporary cabinetry.

The choice fits naturally with Lissoni’s involvement in the project and the broader emphasis on Italian modernism.

Rather than separating the kitchen from the home’s design language, the installation reportedly forms part of the larger aesthetic.

Gayatri Oberoi’s Role in the Interiors

The residence also reflects the different interests of the couple.

According to reports surrounding the project, Vikas Oberoi focused more heavily on the architectural layout, while Gayatri Oberoi took a leading interest in the interiors.

That division of responsibilities is particularly notable given Gayatri’s later role as a design curator at Oberoi Realty.

Her transition from acting to design therefore appears to be more than a change in job title. Her interest in interiors has become connected to the family’s wider real-estate and design activities.

The home effectively becomes an expression of that interest.

An Art Collection Woven Into the Architecture

The residence isn’t solely about architecture and furniture.

Art plays a significant role in the interior environment, with works by prominent Indian modern and contemporary artists reportedly displayed throughout the home.

Among the artists associated with the collection are:

• M. F. Husain
• Ravinder Reddy
• Manjit Bawa

These works provide a distinctly Indian cultural dimension to an otherwise strongly international design vocabulary.

The combination of Italian modernism and Indian modern art creates an interesting contrast.

Clean architectural surfaces provide a controlled backdrop, while the artwork introduces colour, texture and cultural character.

Piero Lissoni’s Design Philosophy

The involvement of Piero Lissoni is central to understanding the home’s aesthetic.

Rather than relying exclusively on visible luxury, Lissoni’s design approach is generally associated with simplicity, proportion and material quality.

That philosophy is particularly relevant when designing a residence of this scale.

A 75,000-square-foot home could easily become visually overwhelming. Excessive ornamentation, too many competing materials or an overly elaborate room-by-room approach could make the property feel more like a commercial luxury development than a family home.

The reported design instead aims for continuity.

Light, architectural lines and carefully selected objects help create a consistent visual language across the property.

Gayatri Oberoi’s Journey From Swades to Design

Gayatri’s connection to the home is especially interesting because of the career shift she made after Swades.

In Ashutosh Gowariker’s 2004 film, she played Geeta, opposite Shah Rukh Khan’s Mohan Bhargava.

The film became an important part of modern Hindi cinema, and Gayatri’s performance remains one of her best-known screen appearances.

After marrying Vikas Oberoi in 2005, she moved away from acting and public entertainment.

Instead of pursuing a conventional Bollywood career, she focused on family life.

Her later involvement with design represents a quieter second chapter—one that connects her creative interests with the Oberoi family’s real-estate business.

More Than a Celebrity Mansion

The Juhu residence is inevitably fascinating because of its size and the prominence of the people who live there.

But its more interesting story lies in the way the home brings together architecture, art, design and family life.

The property’s scale is impressive, but the reported design philosophy is less about displaying wealth through excess and more about creating a carefully controlled environment.

The separate entrances and staircases provide functional organization.

The basements accommodate wellness and entertainment.

The middle floors facilitate hosting.

The rooftop connects the home to the sea.

And the art collection gives the interiors an individual cultural identity.

That combination makes the residence more than a conventional celebrity mansion.

A Modernist Home Shaped by Two Creative Visions

The Oberoi home appears to be the result of two complementary perspectives.

Vikas Oberoi’s involvement reflects his background in real estate and architecture, while Gayatri’s contribution reflects her interest in interiors, aesthetics and design.

Piero Lissoni’s international design vocabulary then provides the framework that brings those interests together.

The result is a home that reportedly places light, space, art and the surrounding landscape at the centre of the experience.

For Gayatri Oberoi, it also represents an intriguing evolution.

Years after audiences first saw her as Geeta in Swades, she is now associated with a very different kind of creative work—one that happens behind the scenes, through architecture and interiors rather than cinema.

And in a city filled with spectacular homes, the Oberois’ Juhu residence stands out not merely because of its scale, but because of the deliberate design thinking reportedly invested in every part of it.