Nakhrewaalii actress Pragati Srivastava has spoken candidly about her hesitation while filming romantic scenes for her Bollywood debut. In an interview with hunterfly, she revealed how director Rahul Shanklya and the production team respected her personal boundaries and helped her feel comfortable on set.
Bollywood newcomer Pragati Srivastava has shared her experience of filming intimate moments for her debut film Nakhrewaalii, opening up about the apprehensions she initially felt and the support she received from the filmmakers.
The actress, who plays Paridhi in the romantic comedy, said she was not naturally comfortable with physical closeness. However, the production team took her concerns seriously and adopted a considerate approach while shooting scenes that required romantic proximity between the lead characters.
Speaking in an exclusive interview with hunterfly, Pragati explained that discussions with the director, practical guidance during workshops and adjustments on set helped her navigate an unfamiliar experience.
Her comments have drawn attention to an important aspect of filmmaking: the need for clear communication and respect for performers’ boundaries, particularly when scenes involve physical intimacy.
Pragati Srivastava Reveals Her Initial Concerns About Kissing Scenes
For Pragati, preparing for romantic scenes involved more than learning dialogue or understanding her character’s emotions.
The actress admitted that the prospect of performing a kissing scene raised questions about her own comfort and how her family might react.
“As a woman, when you get to know about a kiss scene, you think about it,” she told hf.
She explained that concerns about parental perceptions and personal hesitation were among the thoughts she had before filming.
The actress also acknowledged that these feelings were part of adjusting to the professional demands of her first feature film.
According to her account, guidance from instructors and preparation during the shooting process helped her approach the scenes with greater confidence.
Rather than dismissing her hesitation, the team worked with her to find an approach that would communicate the romantic moments while taking her comfort into account.
‘Not Very Comfortable With Physical Proximity,’ Says Pragati
Pragati was particularly candid about her personal discomfort with physical proximity.
She explained that she had communicated her boundaries to director Rahul Shanklya, who responded by ensuring that those concerns were considered during filming.
The actress said preparations included workshops and discussions about how the scenes would be executed.
According to Pragati, the production also limited the number of people present during sensitive sequences.
Only individuals required for supervising or completing the filming process were allowed to remain on set, she said.
This arrangement helped reduce the pressure of performing emotionally and physically sensitive moments in front of a large crew.
The actress also mentioned that someone was available to guide the performers through the process, although the interview account does not establish that person’s formal professional designation.
How Camera Angles Helped the Nakhrewaalii Team Film Romantic Scenes
One of the practical measures Pragati highlighted was the use of cinematography to reduce the need for physical closeness.
She explained that the camera team used different angles to create the intended visual effect without requiring every moment to be performed through direct physical proximity.
This approach allowed the filmmakers to preserve the storytelling requirements of the romantic comedy while accommodating the actress’s boundaries.
Camera positioning, framing and editing can influence how closeness appears on screen, even when actors maintain greater physical distance during filming.
In Pragati’s case, she credited these techniques with making the experience easier.
Her account illustrates how filmmaking decisions can offer alternatives when performers have concerns about specific actions.
It also demonstrates that communicating boundaries need not prevent a scene from being completed when a production is willing to explore suitable creative solutions.
Director Rahul Shanklya Assured Pragati About the Scenes
Pragati also spoke about the reassurance she received from Rahul Shanklya, the director of Nakhrewaalii.
When she expressed apprehension about how the romantic moments would appear on screen, she said the filmmaker assured her that the presentation would not be vulgar.
The actress explained that this reassurance helped her focus on the performance instead of worrying about how the scenes might be perceived.
She also appreciated the manner in which the crew treated her throughout the process.
Rather than feeling pressured to perform something that was unfamiliar to her, she described an environment in which her concerns were acknowledged and accommodated.
Her account is a personal description of her experience on Nakhrewaalii, not a broader assessment of working conditions across the film industry.
Pragati Says the Team Created a Safe Space on Set
Looking back at the experience, Pragati said she ultimately did not feel awkward while performing the scenes.
She reflected on the social hesitation surrounding physical affection and how that can influence the way performers approach romantic sequences.
According to the actress, the support she received helped her overcome some of those concerns.
“The entire team made me comfortable and created a safe space,” she told hf.
Pragati also said the final presentation did not make her uncomfortable as a viewer.
Her remarks highlight the value of discussing expectations before filming begins and ensuring performers understand how potentially sensitive scenes will be handled.
The experience appears to have helped her approach the challenges of her debut with greater confidence.
Why Respecting Actors’ Boundaries Matters in Filmmaking
Scenes involving kissing, romance or physical contact can present practical and emotional challenges for performers.
Film productions may use rehearsals, choreography, controlled sets, camera techniques and dedicated intimacy professionals to establish expectations and reduce unnecessary uncertainty.
The specific arrangements depend on the production, the performers and the nature of the scene.
An important principle is that performers should be able to communicate their boundaries clearly and understand what is expected before a scene is filmed.
Consent and communication are particularly significant because actors may have different levels of comfort with physical contact.
Pragati’s experience provides an example of how discussions between performers and filmmakers can contribute to a more supportive working environment.
However, the measures she described should not be mistaken for confirmation that every formal intimacy-coordination protocol was used on the production.
Her comments establish that she felt supported by the people working with her.
Nakhrewaalii Marked Pragati Srivastava’s Bollywood Debut
Nakhrewaalii introduced Pragati Srivastava as a lead actress in Hindi cinema.
The romantic comedy features her opposite Ansh Duggal.
In the film, Pragati portrays Paridhi, a 22-year-old woman living in Delhi who develops romantic feelings for a tenant.
The story explores their developing relationship through the conventions of a contemporary romantic comedy.
Although the film experienced a prolonged delay before reaching audiences, it was released in October 2026, according to the supplied report.
For Pragati, the project represented an early opportunity to establish herself as a leading performer and gain experience with the demands of a feature-film production.
Her account of filming romantic scenes also offers an insight into the adjustments that can accompany an actor’s transition into mainstream cinema.
What’s Next for Pragati Srivastava?
Following her debut in Nakhrewaalii, Pragati has been associated with other projects intended to expand her early filmography.
According to the reported information, she is set to headline an upcoming project featuring Vedang Raina and Naomika Saran.
The film is described as a contemporary story, although its official title and further production details have not been provided in the source material.
The project represents another potential opportunity for Pragati to explore different characters as she builds her career.
Any confirmed release date, final title or additional casting information should be established through official production announcements.
A Debut Experience That Highlighted Communication and Trust
Pragati Srivastava’s reflections on Nakhrewaalii go beyond the challenges of performing romantic scenes.
Her account focuses on the importance of being able to express discomfort and have those concerns acknowledged by a film production.
From director Rahul Shanklya’s reassurance to the use of controlled sets and alternative camera angles, the actress described several measures that helped her feel comfortable.
For a performer making her feature-film debut, that experience appears to have been an important part of learning how to navigate professional expectations without disregarding personal boundaries.
As Pragati continues to pursue opportunities in Hindi cinema, her remarks offer a thoughtful perspective on the relationship between creative storytelling, professional collaboration and respect for individual comfort.
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