Kayadu Lohar On Objectification Of Women: ‘I Would Never Say Yes To Films Just To Get Attention’

Kayadu Lohar has spoken about the portrayal of women on screen, saying she does not support unnecessary objectification and would not choose a film simply because a provocative scene could generate attention online. The actress added that her decision depends on the context of a scene, its relevance to the character and whether it genuinely serves the story.

The way women are represented in cinema can often become a subject of discussion, particularly when visual imagery is used primarily to attract attention.

For actress Kayadu Lohar, the distinction comes down to context.

In a recent conversation with Sudheer Srinivasan, Kayadu was asked about a moment from the trailer of her film Immortal, in which the camera moves from her face towards her lips. Her response offered a broader insight into the kind of on-screen representation she is comfortable with.

Kayadu Lohar Says She Opposes Unnecessary Objectification

Kayadu made it clear that she does not want to participate in scenes that sexualise a woman without a meaningful reason within the story.

“I don’t agree with unnecessarily objectifying women at all,” Kayadu said.

At the same time, she explained that she does not believe every scene involving sensual or sexualised imagery should automatically be viewed in the same way.

For her, the story and character are important factors.

“If I am convinced that the story and the character require it, and if the role feels convincing to me, then I am okay with it to an extent,” she said.

Her comments suggest that the actress approaches such scenes by considering whether they contribute something to the narrative rather than judging them solely by their visual nature.

‘I Don’t Like Doing Such Things Just To Get Attention’

Kayadu also drew a line between storytelling and scenes created primarily for publicity.

According to the actress, she would not accept a project where such imagery is included simply because it could become a talking point on social media.

She pointed out that provocative moments can sometimes trend on platforms such as Instagram, but said that kind of attention is not something she is interested in pursuing through her work.

“I don’t like doing such things just to get attention,” she said, adding that she would not say yes to films for that reason.

The statement reflects a broader question facing contemporary cinema: where does a character-driven portrayal end and promotional objectification begin?

For Kayadu, the answer appears to depend largely on whether the material has a legitimate place within the story.

Why Context Matters To Kayadu

The actress further explained that she considers the complete narrative before deciding whether she is comfortable with a particular scene.

A moment that might initially appear provocative could have a different meaning when viewed within the character’s journey, according to her perspective.

That is why Kayadu said she is willing to consider such portrayals “to an extent” when she believes they are justified by the story and the character.

The distinction is important because her comments are not an outright rejection of every form of sensual representation in cinema. Instead, she is expressing a preference for scenes that have a clear creative or narrative purpose.

Kayadu Lohar On Starting Conversations About Women’s Representation

During the interview, Kayadu also spoke about how difficult it can be to initiate conversations around established practices in the film industry.

She observed that questioning something that has become normalised can sometimes leave a person feeling as though they are speaking alone.

“Starting a conversation about such things itself is a very difficult thing,” she said.

Kayadu noted that people within an industry may sometimes respond to criticism with the attitude that a particular practice is simply the way things are done.

She also referred to the public reaction surrounding the portrayal of a female character in a recently released film, using it as an example of how discussions about representation can eventually reach a wider audience.

Her comments underline the importance of continuing conversations about how female characters are written, filmed and marketed.

Kayadu Lohar’s Recent Films

Kayadu is currently in the spotlight with two recent releases, including the Malayalam action thriller ** I’m Game **.

The film stars Dulquer Salmaan in the lead and is directed by Nahas Hidhayath.

I’m Game arrived in theatres on September 3, with Kayadu playing a key role in the film.

The release has also brought renewed attention to Kayadu’s work and her approach to choosing roles.

Her other recent project, Immortal, features GV Prakash Kumar and is directed by Mariyappan Chinna.

A Career Built Across South Indian Cinema

Kayadu Lohar has steadily established herself across South Indian cinema, taking on roles in Malayalam and Tamil projects.

Before her latest releases, she appeared in the Malayalam period action drama ** Pathonpatham Noottandu **.

With I’m Game and Immortal, the actress is now exploring different genres and screen spaces while continuing to build her career.

Her latest comments also reveal something about the considerations that influence her choices as a performer.

For Kayadu, being part of a film is not simply about whether a scene can attract attention. She wants to understand why a moment exists, how it fits into the character and whether it contributes meaningfully to the story.